One of which piques particular interest for the EDM community: “ Wasted Times” is co-produced by none other than Skrillex. The album produced several singles including “Starboy,” “I Feel It Coming,” “Party Monster,” “Reminder,” “Rockin'” and “Die for You.”Īs for the new album, so far lists six total tracks.
This will mark the legend’s direct follow up to Starboy, his third studio album which debuted at number one on the Billboard 200. I mean, drop it now why don’t you - if you’re that indifferent? It all started with a single post, which showed The Weeknd himself texting, “should we drop Friday? I’m indifferent to be honest.” Well, 772,118 likes and tons of comments later, it’s obvious his fanbase wants new music ASAP. That’s not all though, the album cover is appearing on billboards and making headlines, which has us believing this is album material we’re talking. New cover art has popped up all over the musician’s socials, titled My Dear Melancholy. It’s one of The Weeknd’s great gifts-making the worst situations not just tolerable, but pleasurable.The Weeknd is about to put out some new music - and while some were expecting a single, it looks more like an entire album is about to drop! But then the bottom fades out, and we find The Weeknd close to death, “in the back of a flashing car.” It should sound painful, but instead comes out serene. For the first half of the song, everything bounces and floats, The Weeknd’s voice angelic as ever. “I've been sober for a year, now it's time for me / To go back to my old ways, don't you cry for me / Thought I'd be a better man, but I lied to me and to you,” goes the pre-chorus. He sings about relapsing as something messy-exciting, euphoric, and ultimately tragic. What Pusha-T is to drug-slinging (ex: “I'm still a snow mover, blow harder than tuba”), The Weeknd is to drug-struggling, and “Faith” is among his masterworks in the genre. There was for me, anyway-and particularly where it concerned “Faith.” But in a moment of such discomfiting uncertainty, there’s pleasure to be found in the familiar. Some listeners might ding The Weeknd for his lack of thematic evolution-for retelling old stories and re-airing old anxieties. Preceded by the single Take My Breath - which became the Weeknds 26th Top 40 hit and has so. The song was teased by both artists earlier this week, and is rumored to be the first release from Malone’s upcoming fourth album. Opening with The Weeknd’s vocals, One Right Now is about a break-up gone nuclear. Production was handled primarily by Metro Boomin, Max Martin, and Illangelo, and from top to bottom their work is slick, inventive, and pristine-’80s sounds (shimmery synths, snaky brass, ambient undertones) refracted, and polished, to sound modern. The Weeknd has teased the release of his fifth album, stating that the record is 'nearing completion.'. Post Malone dropped single One Right Now today (November 5), his first team-up with The Weeknd. And even if he hadn’t, the time and energy put into After Hours would be palpable. The Weeknd began teasing this album-originally calling it Chapter VI-back in 2018.
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It’s dark and moody, and comes from the perspective of a lonely narrator (appropriately, there are no features)-capturing the way a lot of people are feeling as they pace their living rooms and feverishly refresh the news.īut make no mistake: After Hours was long in the making, not some quickly cobbled together project aimed at capitalizing on a bleak moment. Released this morning, After Hours finds the singer returning to many of his favorite subjects: regrets over his own misbehavior (“Hardest to Love”), failed romance (the standout “Save Your Tears”), and dependency (“Alone Again”). (“I don’t like to leave my house too much,” he said in a recent interview, as if it needed reiterating.)Īnd so, it’s almost a spookily apropos moment for The Weeknd’s superb new album, After Hours. But with the streets all but deserted and humanity isolated, it feels like we’ve all entered The Weeknd’s dark, solitary universe. That, of course, has not literally happened.
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But rarely do their worlds forcefully overtake the existing one. Pop stars like The Weeknd routinely put their stamps on the world.